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SpectraLayers delivers audio empowerment by showing sounds as visual objects. You can explore, reach in, take and transform, working wonders on tasks ranging from repairing and restoring audio to freeform sound design. Unmatched selection tools developed over many years are now joined by new artificial intelligence-driven audio extraction and repair processes, making this the most significant version of SpectraLayers yet.

Artificial Intelligence. Sensory Integration.
Looking at audio on a spectrograph display is one thing, but the ability to easily touch, sculpt and shape what you see is what sets SpectraLayers apart. And now you have a skilled, highly trained AI partner that can sense patterns, perform operations and speed you on your way to perfect audio.

A foundation for AI-enhanced processing
The manual selection tools in SpectraLayers allow everything from broad brush editing to microscopic intervention. AI-assisted processes bring even more speed and precision, making the SpectraLayers tool set and layers-based workflow more powerful and flexible than ever.

From pure science to free improvisation
Use AI speed and precision to split a sample into layers and create freeform mixes. Automatically unmix tracks into stems, and stems into component parts. Quickly identify, isolate, and work on the tone, transients and noise signatures of extracted instruments. Do you make experimental music? Get granular and mold sound with surgical precision in SpectraLayers. It’s a freeform music creation tool. a genuine musical instrument.

Repair and restore
Find and erase errors and unwanted sounds, reduce noise, repair clips, remove clicks, tame transients and much more – manually or automatically – with the new AI-assisted processes in SpectraLayers. Work with speed and precision, and enjoy the satisfaction as you routinely salvage tracks and perform audio enhancements in ways you never thought possible.

The ARA era
Today’s audio production platforms need to work in both the waveform and spectral domains. What engineers want is serious application power, coupled with the flexibility to deliver the best in creative options, accessibility and workflow. Thanks to advanced ARA 2 technology, which is designed to build bridges between audio editing applications, SpectraLayers can be launched inside Nuendo, Cubase and a host of applications from other developers to provide comprehensive, non-destructive visual editing right on the DAW timeline.

Audio refabrication
Use high-precision tools to make super-detailed audio selections on the spectral display. Extract this material to independent layers for processing, in SpectraLayers or anywhere in the DAW ecosystem. Mix and render, or keep your edits preserved on the DAW timeline. With ARA 2 support, you can launch SpectraLayers directly into the Cubase/Nuendo waveform display window for the ultimate in real-time program integration.

Your personal pathway
SpectraLayers delivers AI-assisted spectral editing capabilities and seamless DAW integration. The entry-level Elements edition can perform precise error correction and includes automatic noise and hum reduction processes, as well as selected AI-assisted processes including vocal unmixing. The Pro edition features more comprehensive tools, along with the most sophisticated AI implementation. Now with second-generation AI and enhanced ARA 2 support, SpectraLayers is a standalone powerhouse and a superb extension for Cubase and Nuendo, bringing SpectraLayers magic directly into the DAW timeline.

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https://www.steinberg.net/spectralayers/release-notes/12/

️ Steinberg SpectraLayers Pro 12.0.40 (x64) Multilingual – (4.1 GB)
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SpectraLayers delivers audio empowerment by showing sounds as visual objects. You can explore, reach in, take and transform, working wonders on tasks ranging from repairing and restoring audio to freeform sound design. Unmatched selection tools developed over many years are now joined by new artificial intelligence-driven audio extraction and repair processes, making this the most significant version of SpectraLayers yet.

Artificial Intelligence. Sensory Integration.
Looking at audio on a spectrograph display is one thing, but the ability to easily touch, sculpt and shape what you see is what sets SpectraLayers apart. And now you have a skilled, highly trained AI partner that can sense patterns, perform operations and speed you on your way to perfect audio.

A foundation for AI-enhanced processing
The manual selection tools in SpectraLayers allow everything from broad brush editing to microscopic intervention. AI-assisted processes bring even more speed and precision, making the SpectraLayers tool set and layers-based workflow more powerful and flexible than ever.

From pure science to free improvisation
Use AI speed and precision to split a sample into layers and create freeform mixes. Automatically unmix tracks into stems, and stems into component parts. Quickly identify, isolate, and work on the tone, transients and noise signatures of extracted instruments. Do you make experimental music? Get granular and mold sound with surgical precision in SpectraLayers. It’s a freeform music creation tool. a genuine musical instrument.

Repair and restore
Find and erase errors and unwanted sounds, reduce noise, repair clips, remove clicks, tame transients and much more – manually or automatically – with the new AI-assisted processes in SpectraLayers. Work with speed and precision, and enjoy the satisfaction as you routinely salvage tracks and perform audio enhancements in ways you never thought possible.

The ARA era
Today’s audio production platforms need to work in both the waveform and spectral domains. What engineers want is serious application power, coupled with the flexibility to deliver the best in creative options, accessibility and workflow. Thanks to advanced ARA 2 technology, which is designed to build bridges between audio editing applications, SpectraLayers can be launched inside Nuendo, Cubase and a host of applications from other developers to provide comprehensive, non-destructive visual editing right on the DAW timeline.

Audio refabrication
Use high-precision tools to make super-detailed audio selections on the spectral display. Extract this material to independent layers for processing, in SpectraLayers or anywhere in the DAW ecosystem. Mix and render, or keep your edits preserved on the DAW timeline. With ARA 2 support, you can launch SpectraLayers directly into the Cubase/Nuendo waveform display window for the ultimate in real-time program integration.

Your personal pathway
SpectraLayers delivers AI-assisted spectral editing capabilities and seamless DAW integration. The entry-level Elements edition can perform precise error correction and includes automatic noise and hum reduction processes, as well as selected AI-assisted processes including vocal unmixing. The Pro edition features more comprehensive tools, along with the most sophisticated AI implementation. Now with second-generation AI and enhanced ARA 2 support, SpectraLayers is a standalone powerhouse and a superb extension for Cubase and Nuendo, bringing SpectraLayers magic directly into the DAW timeline.

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https://www.steinberg.net/spectralayers/new-features/

️ Steinberg SpectraLayers Pro 12.0.30 (x64) Multilingual – (4.1 GB)
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as been a vital tool in creating the soundtrack to many high-profile productions, products and installations. Regular updates with new features, workflow improvements and additional, user-requested functions mean that Nuendo constantly exceeds the expectations of an audio workstation dedicated to audio post, with high end – often unique – capabilities that continue an ongoing revolution in audio and media production software.

Upgrade to the future
Nuendo 14 is the new standard in audio post-production and game audio. New features include AI-powered speech-to-text technology, a powerful mixing assistant, enhanced event volume curves and range tool editing. Game audio designers can now preview sound effects from Audiokinetic’s Wwise before exporting them, and the list goes on with over 30 additional new features, plug-ins and other improvements. Upgrade your experience. Upgrade your workflow. Upgrade your business. Upgrade to the future!

Adaptive Background Attenuation (ABA) Mixing
The intelligibility of speech in film and television has long been a source of discussion. With Nuendo 14 you can easily automate the balance of your mix to ensure the dialogue is always intelligible. Using the dialogue stem as a reference, ABA will attenuate loud background sounds automatically by a selected dB value, ensuring the foreground sound is always clear. Once the process has been applied, you will still have full control over the overall mix, being able to review the changes and adjust levels as needed.

Dialogue Transcription ADR
Nuendo 14’s new AI-powered speech to text feature enables dialogue tracks to be transcribed into ADR cycle markers. Using a machine learning model for speech recognition and transcription, this will save hours of work by writing the transcription of the original soundtrack into existing markers or to create new markers with the transcribed dialogue inside, for example in a dubbing project.

Game Audio Connect 3
Game sound designers can now preview sound effects directly from Audiokinetic Wwise, without having to export the audio assets out of Nuendo first. Triggering a segment from the game itself will play back the audio from within Nuendo, letting adjustments be made before rendering the assets and transferring them into Wwise. Different sounds can also be tried out while playing the game, simply by changing the event selection in Nuendo.

Modulators Sound Design
A sound designers dream! The new modulators deliver the creative freedom of parameter-based automated sound variations, but with complete control over the results. With dynamic parameter control, which is based on material within the project, the modulators can create movement, add tension and much more to your sound effects and game sound design.

Event Volume Curves
Gain staging is now easier in Nuendo 14, using fast and flexible Event Volume Curves to adjust levels within audio events, without having to switch tools. Valuable for both dialogue clips and sound effects, this feature offers streamlined options to optimize your editing workflow.

Range Tool Improvements
The Range Selection tool has been improved to speed up the audio editing process, with flexible visualization and specific editing functions to selected regions while it is enabled, either with key commands or by modifier keys.

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https://www.steinberg.net/nuendo/new-features/

️ Steinberg Nuendo 14.0.41 (x64) Multilingual – (1.35 GB)
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As the most advanced audio post-production solution available, Nuendo is the choice of film, TV, game audio and immersive sound industry professionals worldwide. Ever since its initial release, Nuendo has been a vital tool in creating the soundtrack to many high-profile productions, products and installations. Regular updates with new features, workflow improvements and additional, user-requested functions mean that Nuendo constantly exceeds the expectations of an audio workstation dedicated to audio post, with high end – often unique – capabilities that continue an ongoing revolution in audio and media production software.

Upgrade to the future
Nuendo 14 is the new standard in audio post-production and game audio. New features include AI-powered speech-to-text technology, a powerful mixing assistant, enhanced event volume curves and range tool editing. Game audio designers can now preview sound effects from Audiokinetic’s Wwise before exporting them, and the list goes on with over 30 additional new features, plug-ins and other improvements. Upgrade your experience. Upgrade your workflow. Upgrade your business. Upgrade to the future!

Adaptive Background Attenuation (ABA) Mixing
The intelligibility of speech in film and television has long been a source of discussion. With Nuendo 14 you can easily automate the balance of your mix to ensure the dialogue is always intelligible. Using the dialogue stem as a reference, ABA will attenuate loud background sounds automatically by a selected dB value, ensuring the foreground sound is always clear. Once the process has been applied, you will still have full control over the overall mix, being able to review the changes and adjust levels as needed.

Dialogue Transcription ADR
Nuendo 14’s new AI-powered speech to text feature enables dialogue tracks to be transcribed into ADR cycle markers. Using a machine learning model for speech recognition and transcription, this will save hours of work by writing the transcription of the original soundtrack into existing markers or to create new markers with the transcribed dialogue inside, for example in a dubbing project.

Game Audio Connect 3
Game sound designers can now preview sound effects directly from Audiokinetic Wwise, without having to export the audio assets out of Nuendo first. Triggering a segment from the game itself will play back the audio from within Nuendo, letting adjustments be made before rendering the assets and transferring them into Wwise. Different sounds can also be tried out while playing the game, simply by changing the event selection in Nuendo.

Modulators Sound Design
A sound designers dream! The new modulators deliver the creative freedom of parameter-based automated sound variations, but with complete control over the results. With dynamic parameter control, which is based on material within the project, the modulators can create movement, add tension and much more to your sound effects and game sound design.

Event Volume Curves
Gain staging is now easier in Nuendo 14, using fast and flexible Event Volume Curves to adjust levels within audio events, without having to switch tools. Valuable for both dialogue clips and sound effects, this feature offers streamlined options to optimize your editing workflow.

Range Tool Improvements
The Range Selection tool has been improved to speed up the audio editing process, with flexible visualization and specific editing functions to selected regions while it is enabled, either with key commands or by modifier keys.

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https://www.steinberg.net/nuendo/new-features/

️ Steinberg Nuendo 14.0.40 (x64) Multilingual – (1.35 GB)
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Designed for both songwriters and beat producers, Groove Agent 5 includes the very best of electronic and acoustic drums. One of the most detailed acoustic drum kits ever featured in Groove Agent sits alongside a wide variety of percussion, modern electronic drums and MIDI grooves, delivering an inspirational rhythmic composition tool for producers in every genre, from jazz, funk and rock to Trap and EDM. Support for VST, AU and AAX plug-in formats means Groove Agent 5 can be used with virtually any DAW.

New acoustic drums in The Kit
The Kit brings fantastic new acoustic drum sounds to Groove Agent, including Pearl kick and snare, four Yamaha Maple Custom toms, four cymbals from Zildjian, Istanbul ride and Paiste splash cymbals – all recorded with high-end Neumann microphones and outboard gear in Berlin’s Teldex Studios, including its classic reverb chamber. ‘The Kit’ comes with 47 articulations, five round robins and up to 20 velocities and, most importantly, a sound that is very versatile and can be pushed in any direction in your mix.

More than 30 new kits for EDM, Trap and other styles
All new kits have been created for Groove Agent 5 by top electronic artists including Rawtekk, Audeka, zKlang, Joe Ford and a number of other young and hungry producers. As well as beat patterns, Beat Agent kits also now include samples like basses, small melody parts, miscellaneous hits and other noises. Further great news is that you can now also use the Style Player for Beat Agent.

Exciting new styles for songwriters
Groove Agent 5 features 20 new MIDI Styles for songwriters, including intro, outro, fills and different complexities. They cover a range of genres, including rock, progressive rock, blues rock, alternative rock, indie, funk, soul, jazz, crossover and reggae, with every style played by a top drummer and exclusively mixed for The Kit.

Sound design with Decompose
Decompose is a sound designer’s dream! With it you can load a sample and easily separate it into its tonal and noise components. Once you’ve done that, you can easily drag and drop each part onto Groove Agent pads to layer your drums, creating an endless array of possibilities. Just imagine combining a fat 808 kick tone with the noise of a 909 snare. Or an electronic snare with the noise of an acoustic hi-hat.

Change the pitch of samples
Create new exciting drum sounds with changing the pitch envelope of a sample. This is especially great for EDM music if you want to create drops and build ups or if you want to do pitch adjustments of pre-recorded drums. Combined with the new Decompose you can also modulate the pitch of tone and noise separately – a very unique approach in working with drum sounds.

What’s New
official site does not provide any info about changes in this version.

️ Steinberg Groove Agent V5.2.30 (x64) – (359 MB)
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Designed for both songwriters and beat producers, Groove Agent 5 includes the very best of electronic and acoustic drums. One of the most detailed acoustic drum kits ever featured in Groove Agent sits alongside a wide variety of percussion, modern electronic drums and MIDI grooves, delivering an inspirational rhythmic composition tool for producers in every genre, from jazz, funk and rock to Trap and EDM. Support for VST, AU and AAX plug-in formats means Groove Agent can be used with virtually any DAW.

New acoustic drums in The Kit
The Kit brings fantastic new acoustic drum sounds to Groove Agent, including Pearl kick and snare, four Yamaha Maple Custom toms, four cymbals from Zildjian, Istanbul ride and Paiste splash cymbals – all recorded with high-end Neumann microphones and outboard gear in Berlin’s Teldex Studios, including its classic reverb chamber. ‘The Kit’ comes with 47 articulations, five round robins and up to 20 velocities and, most importantly, a sound that is very versatile and can be pushed in any direction in your mix.

More than 30 new kits for EDM, Trap and other styles
All new kits have been created for Groove Agent 5 by top electronic artists including Rawtekk, Audeka, zKlang, Joe Ford and a number of other young and hungry producers. As well as beat patterns, Beat Agent kits also now include samples like basses, small melody parts, miscellaneous hits and other noises. Further great news is that you can now also use the Style Player for Beat Agent.

Exciting new styles for songwriters
Groove Agent 5 features 20 new MIDI Styles for songwriters, including intro, outro, fills and different complexities. They cover a range of genres, including rock, progressive rock, blues rock, alternative rock, indie, funk, soul, jazz, crossover and reggae, with every style played by a top drummer and exclusively mixed for The Kit.

Sound design with Decompose
Decompose is a sound designer’s dream! With it you can load a sample and easily separate it into its tonal and noise components. Once you’ve done that, you can easily drag and drop each part onto Groove Agent pads to layer your drums, creating an endless array of possibilities. Just imagine combining a fat 808 kick tone with the noise of a 909 snare. Or an electronic snare with the noise of an acoustic hi-hat.

Change the pitch of samples
Create new exciting drum sounds with changing the pitch envelope of a sample. This is especially great for EDM music if you want to create drops and build ups or if you want to do pitch adjustments of pre-recorded drums. Combined with the new Decompose you can also modulate the pitch of tone and noise separately – a very unique approach in working with drum sounds.

What’s New
official site does not provide any info about changes in this version.

️ Steinberg Groove Agent SE V6.0.10 (x64) – (152 MB)
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Designed for both songwriters and beat producers, Groove Agent 5 includes the very best of electronic and acoustic drums. One of the most detailed acoustic drum kits ever featured in Groove Agent sits alongside a wide variety of percussion, modern electronic drums and MIDI grooves, delivering an inspirational rhythmic composition tool for producers in every genre, from jazz, funk and rock to Trap and EDM. Support for VST, AU and AAX plug-in formats means Groove Agent 5 can be used with virtually any DAW.

New acoustic drums in The Kit
The Kit brings fantastic new acoustic drum sounds to Groove Agent, including Pearl kick and snare, four Yamaha Maple Custom toms, four cymbals from Zildjian, Istanbul ride and Paiste splash cymbals – all recorded with high-end Neumann microphones and outboard gear in Berlin’s Teldex Studios, including its classic reverb chamber. ‘The Kit’ comes with 47 articulations, five round robins and up to 20 velocities and, most importantly, a sound that is very versatile and can be pushed in any direction in your mix.

More than 30 new kits for EDM, Trap and other styles
All new kits have been created for Groove Agent 5 by top electronic artists including Rawtekk, Audeka, zKlang, Joe Ford and a number of other young and hungry producers. As well as beat patterns, Beat Agent kits also now include samples like basses, small melody parts, miscellaneous hits and other noises. Further great news is that you can now also use the Style Player for Beat Agent.

Exciting new styles for songwriters
Groove Agent 5 features 20 new MIDI Styles for songwriters, including intro, outro, fills and different complexities. They cover a range of genres, including rock, progressive rock, blues rock, alternative rock, indie, funk, soul, jazz, crossover and reggae, with every style played by a top drummer and exclusively mixed for The Kit.

Sound design with Decompose
Decompose is a sound designer’s dream! With it you can load a sample and easily separate it into its tonal and noise components. Once you’ve done that, you can easily drag and drop each part onto Groove Agent pads to layer your drums, creating an endless array of possibilities. Just imagine combining a fat 808 kick tone with the noise of a 909 snare. Or an electronic snare with the noise of an acoustic hi-hat.

Change the pitch of samples
Create new exciting drum sounds with changing the pitch envelope of a sample. This is especially great for EDM music if you want to create drops and build ups or if you want to do pitch adjustments of pre-recorded drums. Combined with the new Decompose you can also modulate the pitch of tone and noise separately – a very unique approach in working with drum sounds.

What’s New
official site does not provide any info about changes in this version.

️ Steinberg Groove Agent SE V5.2.30 (x64) – (358 MB)
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Designed for both songwriters and beat producers, Groove Agent 5 includes the very best of electronic and acoustic drums. One of the most detailed acoustic drum kits ever featured in Groove Agent sits alongside a wide variety of percussion, modern electronic drums and MIDI grooves, delivering an inspirational rhythmic composition tool for producers in every genre, from jazz, funk and rock to Trap and EDM. Support for VST, AU and AAX plug-in formats means Groove Agent 5 can be used with virtually any DAW.

New acoustic drums in The Kit
The Kit brings fantastic new acoustic drum sounds to Groove Agent, including Pearl kick and snare, four Yamaha Maple Custom toms, four cymbals from Zildjian, Istanbul ride and Paiste splash cymbals – all recorded with high-end Neumann microphones and outboard gear in Berlin’s Teldex Studios, including its classic reverb chamber. ‘The Kit’ comes with 47 articulations, five round robins and up to 20 velocities and, most importantly, a sound that is very versatile and can be pushed in any direction in your mix.

More than 30 new kits for EDM, Trap and other styles
All new kits have been created for Groove Agent 5 by top electronic artists including Rawtekk, Audeka, zKlang, Joe Ford and a number of other young and hungry producers. As well as beat patterns, Beat Agent kits also now include samples like basses, small melody parts, miscellaneous hits and other noises. Further great news is that you can now also use the Style Player for Beat Agent.

Exciting new styles for songwriters
Groove Agent 5 features 20 new MIDI Styles for songwriters, including intro, outro, fills and different complexities. They cover a range of genres, including rock, progressive rock, blues rock, alternative rock, indie, funk, soul, jazz, crossover and reggae, with every style played by a top drummer and exclusively mixed for The Kit.

Sound design with Decompose
Decompose is a sound designer’s dream! With it you can load a sample and easily separate it into its tonal and noise components. Once you’ve done that, you can easily drag and drop each part onto Groove Agent pads to layer your drums, creating an endless array of possibilities. Just imagine combining a fat 808 kick tone with the noise of a 909 snare. Or an electronic snare with the noise of an acoustic hi-hat.

Change the pitch of samples
Create new exciting drum sounds with changing the pitch envelope of a sample. This is especially great for EDM music if you want to create drops and build ups or if you want to do pitch adjustments of pre-recorded drums. Combined with the new Decompose you can also modulate the pitch of tone and noise separately – a very unique approach in working with drum sounds.

What’s New
official site does not provide any info about changes in this version.

️ Steinberg Groove Agent 5.2.30 (x64) – (459 MB)
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Dorico 6 expands your engraving horizons and assists you in producing peerless performance materials faster than ever before.

Proofreading
Dorico automatically checks your score as you edit, highlighting issues that could raise questions in rehearsal and recording sessions in the new Proofreading panel.

Cutaways
Create cutaway scores that match the finest published works of Lutosławski, Ligeti, Berio and Stravinsky in a single click.

Cycle playback
Loop any section of your score during playback, and hear your edits live in the next cycle.

Chord symbols
Show multiple rows of chord symbols, with optional extender lines. Create your own custom chord symbols, and easily override every aspect of their appearance.

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https://www.steinberg.net/dorico/new-features/

️ Steinberg Dorico Pro 6.1.0 (x64) Multilingual – (598 MB)
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