SoniX Audio TONEFLX 1.0.0 Win MacOS

DESCRIPTION: TONEFLX is an all-in-one analog-style FX plugin with 8 pedals to turn flat digital sounds into warm, textured, and alive tones.

8 Effects
Saturation, Resampler, Tape, Chorus, Tremolo, Reverse, Delay, Reverb.

Analog Feel, Not Digital Flatness
Turn clean sounds into warm, textured tones with subtle imperfections and real hardware character.

Build Complex FX in Seconds
Create full pedal chains instantly or generate new ideas with one click – no tweaking required.

Endless Sound Design Possibilities
From subtle enhancement to extreme transformation, shape, flip, and evolve your sound without limits.

Generate Instant FX Ideas
Pick a vibe, hit Generate, and instantly unlock unique FX presets – crafted by real producers, curated by humans, never AI.

Analog Pedalboard Inside your DAW
Arrange, tweak, and fine-tune your FX like a real pedalboard. Drag, reorder, and shape your sound exactly how you want.

Controlled Chaos
Push your sound beyond perfection. Add unpredictable movement, variation, and raw character that breaks static, lifeless loops.

Analog Movement
Add subtle pitch and timing shifts that mimic real analog gear. Bring depth, warmth, and natural motion to your sound.

600+ Presets
TONEFLX comes standard with 600+ presets created and designed by industry producers who’ve worked with artists like Drake, Future, Lil Baby, Travis Scott, Bryson Tiller, and more.

Whats New
Updates: official site does not provide any info about changes in this version

β‹†πŸ•·- – – – -β˜½β”€β”€β”€β›§ β€β–β€ž β›§β”€β”€β”€β˜Ύ – – – -πŸ•·β‹†β€‹

SoniX Audio TONEFLX 1.0.0 Win MacOS (617 MB)

RapidGator
Code:Copy to clipboard

https://rapidgator.net/file/3e485322dce3156db44ace9793c91b35/SoniX.Audio.TONEFLX.1.0.0.Win.MacOS.rar

Freedl.ink
Code:Copy to clipboard

https://frdl.io/103w5dhf1s26/SoniX.Audio.TONEFLX.1.0.0.Win.MacOS.rar

SonicWorld Plugins Telsie S V1.1.1 – (30 MB)

SonicWorld Plugins Telsie S V1.1.1​
File size: 29.3 MB​

The SonicWorld Telsie S is a 3-band equalizer plug-in based on the famous Siemens W295b discrete class A equalizer from the 1970s.

The W295b is known for its wonderfully airy highs and voluminous bass. Telsie S delivers this sound, along with some very useful upgrades compared to its analog counterpart!

Designed and built for the ARD (Association of German Public Broadcasters) in the 70Β΄s, the Siemens mixing consoles reflected what was technically feasible at the time and were at the cutting edge of technology.
These mixing consoles were the direct successor for the tube-based V72/V76 mixing consoles.

Highly sought-after modules like the V276 Microphone Preamp and the W295 Series Equalizer were used in these consoles.

Siemens offered 3 different Equalizer versions: The W295, the W295a and the W295b which has the most elaborated design of the 3 models.

All these models share a low-shelf filter and high-shelf filter, while only the W295b features a mid-band with a presence/absence filter.

The W295b is still today the secret weapon of many engineers as it provides these VERY nice airy highs ..

At SonicWorld we know this analog marvel very well, as we have been servicing and racking many of these units in the last 20 years.

Interior of vintage Siemens W 295B Equalizer showing electronic components and control knobs.
Now you can have that sound without the crackle of old switches, dried-out capacitors, hard-to find transistors, etc.

The features of the Siemens W295b and Telsie S
Similar to the original hardware device, the Telsie S is a three-band equalizer with shelf-filters on the high and low bands and a peak filter on the mid band. The low-shelf filter has its Β±15 dB point at 40 Hz, while the high-shelf filter has its Β±15 dB point at 15 kHz.

The mid-band is a presence/absence filter with Peak characteristics and 6 selectable center frequencies
0.7 kHz, 1 kHz, 1.5 kHz, 2.3 kHz, 3.5 kHz, and 5.6 kHz, and a maximum boost and cut of 8 dB each.
This peak filter has a proportional Q factor. This means that the width of the bell narrows the more dB you boost or cut.

The additional benefits of the Telsie S plug-in
Low Band Filter with additional frequencies
As an alternative to the original device’s low-shelf filter at 40 Hz, there are additional peak filter frequencies with center
frequencies at 40, 60, 100, 160 and 220 Hz.

These peak filters have a proportional Q factor, meaning the width of the bell narrows the more dB you boost or cut.
These additional peak filter frequencies give you significantly more sonic possibilities than the original shelf filter at 40 Hz.

High Band Filter with additional frequencies and AIR switch
The high band features the original device’s super nice- sounding high-shelf filter at 15 kHz. As an alternative Telsie S also offers two additional peak filters with center frequencies at 12 kHz and 14 kHz, with a maximum boost or cut of 15 dB in 3 dB steps.

The AIR switch significantly extends the high band’s frequency response. You can experiment with running your session at a higher sample rate to make this effect even more noticeable

Harmonics function
Each of the three equalizer bands has a harmonics function with two parameters: Drive and Out.
The Drive control allows you to adjust the amount of harmonics added to enrich the signal.
You can use the Out control to compensate for the increase in volume caused by the Drive section.
The two parameters are linked by default. You can disable this by using the Link switch.

Be careful when you do this as extreme boosts or cuts are possible.
Extreme boosts could not only harm your ears, but also your equipment.
We do not take responsibility for any potentional damage.

Low Cut/ High Pass and High Cut/Low Pass Filter
The Low Cut (High Pass) and the High Cut (Low Pass) filters are used to clean up the frequency range of your signal .
For example low rumble on an acoustic guitar or vocal track can be easily reduced with the Low Cut, or you can cut the high-frequency range for nasty frequencies.
Or with using both filters to give room for other tracks.
The cutoff frequency is freely selectable, both filters have a gentle slope of -12 dB per octave.

X-OverS Low Band/Mid Band and Mid Band/High Band
On the analog W295b, the high and low band curves are extremely broad. This means that a boost or cut in the 40 Hz shelf band has a sonic impact up to approximately 2 kHz. With the 15 kHz shelf band, a boost or cut has a sonic impact starting at around 200 Hz.
This characteristic never sounded appealing to us, as it often results in unwanted processed frequency ranges, even if you only want to boost or cut at much higher or lower frequencies.

This is where the two X-Over frequency controls come into play.
These allow you to set the respective frequency at which the Telsie S’s three equalizer bands merge.
The factory default crossover frequencies for the two crossover frequency controls are 500 Hz and 7 kHz.
This lets you give the presence band more space, even if you don’t want to boost or cut anything in this frequency range.

A close-up of a vintage control slider labeled "X-OVER Low-Mid" with a white knob and red indicator line, set at the middle position.
A linear alphanumeric control panel with a white slider and a red vertical line and the text ‘X-OVER Mid-High’ below.
This is very helpful for significantly influencing the equalizer curves and finding the right sound for different EQ requirements. You can boost for example with the low band a good amount at 220Hz or lower to give vocals a good basis and you can cut off unwanted higher frequencies at 400 Hz if you lower the X-over from 500 Hz down to 400 Hz.

The same goes for the high band. You can massively boost the high frequencies and avoid boosting unwanted frequencies at 7k if you set the X-Over Mid-High to a higher value than 7 kHz.

Try our EQ presets to find out how useful this feature is!

Master Gain and Parameter Bar
The Master Gain is used to compensate for level differences caused by equalization or harmonics.
Clicking the Master Gain control resets it to 0 dB.

The Parameter Bar displays the set values of the three harmonics bands LBH (Low Band Harmonics), MBH (Mid Band Harmonics), HBH (High Band Harmonics), the Low- and High-Cut filters, the chosen frequencies of the two X-overs and the Master Gain.

Whats New
Updates: official site does not provide any info about changes in this version

β‹†πŸ•·- – – – -β˜½β”€β”€β”€β›§ β€β–β€ž β›§β”€β”€β”€β˜Ύ – – – -πŸ•·β‹†β€‹

️ SonicWorld Plugins Telsie S V1.1.1 – (30 MB)

RapidGator Link(s)
Code:Copy to clipboard

https://rapidgator.net/file/1a50cec22e9251095d3da0dac83ebfc9/SonicWorld.Plugins.Telsie.S.V1.1.1.rar

Freedl.ink Link(s)
Code:Copy to clipboard

https://frdl.io/5s64qzefihd0/SonicWorld.Plugins.Telsie.S.V1.1.1.rar

SonicWorld Plugins Telsie S 1.1.3

QUICK INFO: File size: 66.9 MB

DESCRIPTION: The SonicWorld Telsie S is a 3-band equalizer plug-in based on the famous Siemens W295b discrete class A equalizer from the 1970s.

The W295b is known for its wonderfully airy highs and voluminous bass. Telsie S delivers this sound, along with some very useful upgrades compared to its analog counterpart!

Designed and built for the ARD (Association of German Public Broadcasters) in the 70Β΄s, the Siemens mixing consoles reflected what was technically feasible at the time and were at the cutting edge of technology.
These mixing consoles were the direct successor for the tube-based V72/V76 mixing consoles.

Highly sought-after modules like the V276 Microphone Preamp and the W295 Series Equalizer were used in these consoles.

Siemens offered 3 different Equalizer versions: The W295, the W295a and the W295b which has the most elaborated design of the 3 models.

All these models share a low-shelf filter and high-shelf filter, while only the W295b features a mid-band with a presence/absence filter.

The W295b is still today the secret weapon of many engineers as it provides these VERY nice airy highs ..

At SonicWorld we know this analog marvel very well, as we have been servicing and racking many of these units in the last 20 years.

Interior of vintage Siemens W 295B Equalizer showing electronic components and control knobs.
Now you can have that sound without the crackle of old switches, dried-out capacitors, hard-to find transistors, etc.

The features of the Siemens W295b and Telsie S
Similar to the original hardware device, the Telsie S is a three-band equalizer with shelf-filters on the high and low bands and a peak filter on the mid band. The low-shelf filter has its Β±15 dB point at 40 Hz, while the high-shelf filter has its Β±15 dB point at 15 kHz.

The mid-band is a presence/absence filter with Peak characteristics and 6 selectable center frequencies
0.7 kHz, 1 kHz, 1.5 kHz, 2.3 kHz, 3.5 kHz, and 5.6 kHz, and a maximum boost and cut of 8 dB each.
This peak filter has a proportional Q factor. This means that the width of the bell narrows the more dB you boost or cut.

The additional benefits of the Telsie S plug-in
Low Band Filter with additional frequencies
As an alternative to the original device’s low-shelf filter at 40 Hz, there are additional peak filter frequencies with center
frequencies at 40, 60, 100, 160 and 220 Hz.

These peak filters have a proportional Q factor, meaning the width of the bell narrows the more dB you boost or cut.
These additional peak filter frequencies give you significantly more sonic possibilities than the original shelf filter at 40 Hz.

High Band Filter with additional frequencies and AIR switch
The high band features the original device’s super nice- sounding high-shelf filter at 15 kHz. As an alternative Telsie S also offers two additional peak filters with center frequencies at 12 kHz and 14 kHz, with a maximum boost or cut of 15 dB in 3 dB steps.

The AIR switch significantly extends the high band’s frequency response. You can experiment with running your session at a higher sample rate to make this effect even more noticeable

Harmonics function
Each of the three equalizer bands has a harmonics function with two parameters: Drive and Out.
The Drive control allows you to adjust the amount of harmonics added to enrich the signal.
You can use the Out control to compensate for the increase in volume caused by the Drive section.
The two parameters are linked by default. You can disable this by using the Link switch.

Be careful when you do this as extreme boosts or cuts are possible.
Extreme boosts could not only harm your ears, but also your equipment.
We do not take responsibility for any potentional damage.

Low Cut/ High Pass and High Cut/Low Pass Filter
The Low Cut (High Pass) and the High Cut (Low Pass) filters are used to clean up the frequency range of your signal .
For example low rumble on an acoustic guitar or vocal track can be easily reduced with the Low Cut, or you can cut the high-frequency range for nasty frequencies.
Or with using both filters to give room for other tracks.
The cutoff frequency is freely selectable, both filters have a gentle slope of -12 dB per octave.

X-OverS Low Band/Mid Band and Mid Band/High Band
On the analog W295b, the high and low band curves are extremely broad. This means that a boost or cut in the 40 Hz shelf band has a sonic impact up to approximately 2 kHz. With the 15 kHz shelf band, a boost or cut has a sonic impact starting at around 200 Hz.
This characteristic never sounded appealing to us, as it often results in unwanted processed frequency ranges, even if you only want to boost or cut at much higher or lower frequencies.

This is where the two X-Over frequency controls come into play.
These allow you to set the respective frequency at which the Telsie S’s three equalizer bands merge.
The factory default crossover frequencies for the two crossover frequency controls are 500 Hz and 7 kHz.
This lets you give the presence band more space, even if you don’t want to boost or cut anything in this frequency range.

A close-up of a vintage control slider labeled "X-OVER Low-Mid" with a white knob and red indicator line, set at the middle position.
A linear alphanumeric control panel with a white slider and a red vertical line and the text ‘X-OVER Mid-High’ below.
This is very helpful for significantly influencing the equalizer curves and finding the right sound for different EQ requirements. You can boost for example with the low band a good amount at 220Hz or lower to give vocals a good basis and you can cut off unwanted higher frequencies at 400 Hz if you lower the X-over from 500 Hz down to 400 Hz.

The same goes for the high band. You can massively boost the high frequencies and avoid boosting unwanted frequencies at 7k if you set the X-Over Mid-High to a higher value than 7 kHz.

Try our EQ presets to find out how useful this feature is!

Master Gain and Parameter Bar
The Master Gain is used to compensate for level differences caused by equalization or harmonics.
Clicking the Master Gain control resets it to 0 dB.

The Parameter Bar displays the set values of the three harmonics bands LBH (Low Band Harmonics), MBH (Mid Band Harmonics), HBH (High Band Harmonics), the Low- and High-Cut filters, the chosen frequencies of the two X-overs and the Master Gain.

Whats New
Updates: official site does not provide any info about changes in this version

β‹†πŸ•·- – – – -β˜½β”€β”€β”€β›§ β€β–β€ž β›§β”€β”€β”€β˜Ύ – – – -πŸ•·β‹†β€‹

SonicWorld Plugins Telsie S 1.1.3 (67 MB)

RapidGator
Code:Copy to clipboard

https://rapidgator.net/file/ae02c4108bcef3d6995673063d63354c/SonicWorld.Plugins.Telsie.S.1.1.3.rar

Freedl.ink
Code:Copy to clipboard

https://frdl.io/k7g36m6sj029/SonicWorld.Plugins.Telsie.S.1.1.3.rar

Soniccouture – Flowstate

Format : Contact (7.10.2+), Contact Player
Quality : stereo/mono 96/48/44.1 kHz 24/16 bits
Description: The mechanism of harmonic morphin Transform. Dilige. Convert.
Flowstate will instantly turn any audiolip into a flexible, changing musical form. Drag the audio files to create morphing textures, moving between 5 different harmonic conditions. From drum loops to pure noise – everything can be transformed into a lively and rich sound landscape. Created for your audio
FlowState contains 100 stops + samples. But in fact, it was created to drag. Take any audio -emergency you have a field record, Breikbit, a fragment of the track – and see what FlowState can turn it. Peculiarities
Harmonic morphine mechanism
D justified audio
100 presets
Support NKS

β‹†πŸ•·- – – – -β˜½β”€β”€β”€β›§ β€β–β€ž β›§β”€β”€β”€β˜Ύ – – – -πŸ•·β‹†β€‹

️ Soniccouture – Flowstate (587.09 MB)

Drop Link(s)
Code:Copy to clipboard

https://drop.download/59hmmrhr1bzp/Flowstate.Soniccouture.rar

RapidGator Link(s)
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https://rapidgator.net/file/72e3a51394ebdd02d7a83d9344a6ea77/Flowstate.Soniccouture.rar

Soniccouture – Flowstate 1.1.0 Full + Update (kontakt)

Format : kontakt (7.10.2+)
Quality : Stereo/mono 96/48/44.1 kHz 24/16 bit

Description: Harmonic morphing mechanism Transform. Melt. Distort.
Flowstate instantly transforms any audio clip into a flexible, fluid musical form. Drag and drop audio files to create morphing textures, moving between 5 different harmonic states. From drum loops to pure noise, everything can be transformed into a vibrant, rich soundscape. Designed for your audio
Flowstate comes with 100 presets + samples. But it’s really designed for drag and drop. Take any audio sample you have – a field recording, a breakbeat, a track fragment – and see what Flowstate can turn it into.

Peculiarities
Harmonic morphing mechanism
Drag and drop audio
100 presets
NKS support

β‹†πŸ•·- – – – -β˜½β”€β”€β”€β›§ β€β–β€ž β›§β”€β”€β”€β˜Ύ – – – -πŸ•·β‹†β€‹

️ Soniccouture – Flowstate 1.1.0 Full + Update (kontakt)
RapidGator Link(s)
Code:Copy to clipboard

https://rapidgator.net/file/f190ef270e21ffc7d38d17cbbe6f5f07/Flowstate.1.1.0.Soniccouture.rar

ClickNUpload Link(s)
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https://clicknupload.click/93wfdithc3qb

Sonicbits Exakt 1.3.0

File size: 3.6 MB​

FM synths hold a special place in the history of synthesizers. Exakt, the intuitive and easy-to-use FM synthesizer plugin is designed to make FM synthesis more accessible.

As many vintage machines, Exakt has got 4 operators which can be arranged in various FM algorithms. Each operator has got different waveforms such as the basic sine, saw, square and triangle. Then apart from the 8 classic waveforms from the Yamaha TX81Z, four additional enhanced TX waveforms are included.
Each operator has got its own amplitude envelope generator supporting the 5 point TX envelopes. These envelopes have been modeled to mimic the TX characteristics. Additionally, up to 16 points can be added to the loopable envelopes in order to create complex shapes.
Combined with a flexible modulation matrix, a creamy chorus, gritty distortion and a stereo delay effect, Exakt has got sounds that can be used in all types of music.

Detailed Specs
4 aliasing free Operators with classic and enhanced TX waveforms
16 voice polyphony
Drag-and-drop envelopes with up to 16 points and copy and paste
Envelope loops
16 FM algorithms with feedback on operator D
Linked editing of all 4 operators at once
Resonant filter with different lowpass, highpass and bandpass models
Formant filter with vowel emphasis
Visualization of the resulting waveform for immediate editing response
2 LFOs syncable to host
2 loopable modulation envelopes with up to 16 points
Mod matrix with many targets
Lush chorus, distortion and stereo delay effects
12-bit DAC emulation
Sysex bank import from Yamaha 4 operator synthesizers (experimental)
Over 150 ready to play presets organized in categories including presets from Venus Theory and Warkauze
Blur free vector graphics resizing

Whats New
β€’Add: A new reverb effect has been inserted after the delay.
β€’Add: 20 new presets.
β€’Update: All effect mix levels are now displayed with the dry/wet ratio.
β€’Fix: Parameters, operator and modulation envelope states would not be saved in the DAW session. This has been fixed.
β€’Fix: In mono mode, the glide was not applied correctly. This has been fixed.
β€’Fix: Operator level modulation values were not applied correctly. This has been fixed.
β€’Fix: The voice management for some FM algorithms was wrong. This has been fixed.
β€’Fix: Under some conditions, the DAC sample rate conversion worked on one channel only. This has been fixed.
β€’Fix: The sysex import mapping to the parameters has been improved. The operator levels and their envelope settings are closer to the hardware.
β€’Fix: The performance of the AU version for the Apple ARM platform has been improved.
β€’Fix: The Windows setup now first asks for the plugin formats to be installed and then only for the paths of the selected formats.
β€’Fix: Under some circumstances, when the unregistered plugin UI was hidden, it would crash when the audio was muted. This has been fixed.
β€’Fix: General fixes and performance optimizations.

Code:Copy to clipboard

https://www.sonicbits.com/plugins/exakt

β‹†πŸ•·- – – – -β˜½β”€β”€β”€β›§ β€β–β€ž β›§β”€β”€β”€β˜Ύ – – – -πŸ•·β‹†β€‹

️ Sonicbits Exakt 1.3.0 (3.61 MB)

UsersDrive Link(s)
Code:Copy to clipboard

https://usersdrive.com/gdmlvn9g4843.html

RapidGator Link(s)
Code:Copy to clipboard

https://rapidgator.net/file/86c6a2778ae8fe2a48211706e935d268/Sonicbits.Exakt.V1.3.0.BUBBiX.rar

Sonica Instruments – Tsugaru Shamisen v2.0.0 (Kontakt)

Format : Contact (6.6.0+)
Quality : Stereo 44.1 kHz 24 bit

Description : Tsugaru-jamisen is a type of shamisen, a Japanese fretless three-string lute …the description is being updated… Sonica Instruments has painstakingly recreated every aspect of the revered tsugaru shamisen – the stirring percussive sounds, the powerful playing techniques, and the blazing speed of hajiki picking – in a Kontakt instrument library.
The Virtuoso Japanese Series’ TSUGARU SHAMISEN library is certain to enliven nearly every genre of music, from Japanese minyo folk songs to hard rock, jazz, contemporary classical music, and movie scores. Peculiarities
Perfectly recreates the sound of the tsugaru shamisen with the best possible recording and programming techniques.
Completely natural picking sounds by virtue of up to five velocity layers and as many as 12 round robins.
Covers more than 20 tsugaru shamisen playing techniques, all key-switch controllable.
Five key-switch controllable phrase banks containing a wide array of essential tsugaru shamisen phrases.
The newly developed String Mode Mechanism – which lets you select which string to play – provides rich expressiveness and realism with the same feel as an actual shamisen.
Reproduces the resonance buzz of the azuma sawari inherent to the tsugaru shamisen that operates in the same way as the real thing.
Three selectable tuning modes for ni-agari, honchoshi, and san-sagari tunings.
The open string notes, sawari effects, and resonant tones are adjusted automatically to match all tunings and key transpositions.
The alternate picking function reproduces sequences of downstrokes and upstrokes.
The Hajiki-Legato function allows you to play hajiki sounds instantly with Legato.
The plucking control function provides realistic attack nuances.
The built-in Instrument Editor provides string-by-string tuning and volume adjustments.
Lively powerful sounds sampled in full 24-bit 96 kHz fidelity (the library contains 24-bit 44.1 kHz samples).
Create your own mixes with the multi-microphone samples and a dedicated mixer with individual controls for Direct, Overhead, Room, and Stereo Mix.
NKS ready and Kontakt Player compatible.

β‹†πŸ•·- – – – -β˜½β”€β”€β”€β›§ β€β–β€ž β›§β”€β”€β”€β˜Ύ – – – -πŸ•·β‹†β€‹

️ Sonica Instruments – Tsugaru Shamisen v2.0.0 (Kontakt) (6.51 GB)
RapidGator Link(s)
Code:Copy to clipboard

https://rapidgator.net/file/16fc9a38d07f825ad6fd4d448ddd0b5d/Tsugaru.Shamisen.2.0.0.Sonica.Instruments.part1.rar
https://rapidgator.net/file/f1977be1f862d48da94126c480b6b4cf/Tsugaru.Shamisen.2.0.0.Sonica.Instruments.part2.rar
https://rapidgator.net/file/a188912d49492fbf2b45c75b233b5a88/Tsugaru.Shamisen.2.0.0.Sonica.Instruments.part3.rar
https://rapidgator.net/file/08f8cf30700c85ba4865821d57e50a62/Tsugaru.Shamisen.2.0.0.Sonica.Instruments.part4.rar

Drop Link(s)
Code:Copy to clipboard

https://drop.download/am90d6lx6rpf/Tsugaru.Shamisen.2.0.0.Sonica.Instruments.part1.rar
https://drop.download/xnju1ohzqjk6/Tsugaru.Shamisen.2.0.0.Sonica.Instruments.part2.rar
https://drop.download/ejn9fflduznd/Tsugaru.Shamisen.2.0.0.Sonica.Instruments.part3.rar
https://drop.download/j9tj7gontzdi/Tsugaru.Shamisen.2.0.0.Sonica.Instruments.part4.rar

Sonica Instruments – Sho v2.0.0 (Kontakt)

Format : Contact (6.6.0+)
Quality : Mono 44.1 kHz 24 bit

Description : Sho is a Japanese wind reed musical instrument. …the description is being updated… The sho is free reed musical instrument and one of the three primary woodwind instruments used in gagaku court orchestra music. Consisting of 17 slender bamboo pipes, it is sometimes said to resemble a resting phoenix because of its shape. In antiquity, the sho’s fluid tonal character was associated with light shining down from the heavens.
After completing the world’s first comprehensive sho sampling, Sonica Instruments is proud to add the SHO library to the Virtuoso Japanese Series. Peculiarities
Peerless recordings of the impeccable sound and technique of famed sho performer Ko Ishikawa.
Single tones of all 15 pipes* and 11 chords sampled separately in every articulation, making the library applicable to all musical styles from gagaku to contemporary music.
A detailed analysis of sho playing techniques led to an instrument model that allows playing any combination of the sho’s distinctive tone clusters (chords) and single tones.
Two key modes, including a traditional fingering mode that replicates actual sho fingering with one key per pipe.
Pipe Indicator lets the performer see the pipe arrangement of the sho and monitor the current pipes being played.
Comes with traditional sho Pythagorean tuning, equal temperament tuning, and fully customizable tunings, for seamless coverage of both classical and contemporary scale tones.
Unique Key Trigger Connection function lets the performer move through a colorful assortment of articulations without ever interrupting the sound.
Expression control adjusts tone color naturally and continuously without gradations.
Ensemble selector simulates gagaku ensemble performances with up to three performers.
The library’s lively yet subtle sounds sampled in full 24-bit 96 kHz fidelity (the library itself contains 24-bit 44.1 kHz samples).
Create your own mixes with the multi-microphone samples and a dedicated mixer with individual controls for Direct, Overhead, Room, and Stereo Mix.
NKS ready and Kontakt Player compatible.

β‹†πŸ•·- – – – -β˜½β”€β”€β”€β›§ β€β–β€ž β›§β”€β”€β”€β˜Ύ – – – -πŸ•·β‹†β€‹

️ Sonica Instruments – Sho v2.0.0 (Kontakt) (2.21 GB)
RapidGator Link(s)
Code:Copy to clipboard

https://rapidgator.net/file/ad806df883e310b619554f68cfd96c29/Sho.2.0.0.Sonica.Instruments.part1.rar
https://rapidgator.net/file/43b6c88e463974f8ff9e0d21e7ee5bf9/Sho.2.0.0.Sonica.Instruments.part2.rar

Drop Link(s)
Code:Copy to clipboard

https://drop.download/gde8ltzlr0ed/Sho.2.0.0.Sonica.Instruments.part1.rar
https://drop.download/d9k1iab174wa/Sho.2.0.0.Sonica.Instruments.part2.rar

Sonica Instruments – Shakuhachi v2.0.0 (Kontakt)

Format : Contact (6.6.0+)
Quality : Mono 44.1 kHz 24 bit

Description : Shakuhachi is a traditional Japanese longitudinal bamboo flute …the description is being updated… Singing sonorous intonation, deep yet delicate breathing, and a Japanese sound aesthetic spilling into the periphery: The shakuhachi – an instrument symbolic of Japan – finally joins the Virtuoso Japanese Series family. Peculiarities
Precisely captures the scintillating sounds of a veteran shakuhachi player, covering every playing technique and recorded with exacting attention to detail at every musical interval.
Features performance mechanisms designed specifically for this library to recreate the full dynamics of this wind instrument, from the softest sound to the most emphatic pitch.
The unique Key Trigger Connection function lets the performer move through a colorful assortment of articulations without ever interrupting the sound.
Legato and grace note controls reproduce complex fingering techniques such as atari, uchi, and oshi.
The blow control function lets the performer manipulate the duration from the breath noise to the actual tone with either a controller.
The expression control varies the tone color naturally and continuously without gradations.
A hybrid combination of the shakuhachi (1.8 shakuhachi) and the 2.3 shakuhachi provides a wider register, including lower tones, and more tone color variations.
Create traditional shakuhachi pitch scales, as well as performer-specific pitch scales, with the Scale Tuning function, which provides individual note adjustment over G2 to B5.
Five phrase banks contain a wide array of essential shakuhachi phrases.
Lively powerful sounds sampled in full 24-bit 96 kHz fidelity (the library itself contains 24-bit 44.1 kHz samples).
Create your own mixes with the multi-microphone samples and a dedicated mixer with individual controls for Direct, Overhead, Room, and Stereo Mix.
NKS ready and Kontakt Player compatible.

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️ Sonica Instruments – Shakuhachi v2.0.0 (Kontakt) (5.33 GB)
RapidGator Link(s)
Code:Copy to clipboard

https://rapidgator.net/file/8f8e5f9f94297f7ad33354c6113c2d83/Shakuhachi.2.0.0.Sonica.Instruments.part1.rar
https://rapidgator.net/file/888f0b801b52a4a3421b91a30be00d3a/Shakuhachi.2.0.0.Sonica.Instruments.part2.rar
https://rapidgator.net/file/cdfcac86cf909a274269d20b400dd446/Shakuhachi.2.0.0.Sonica.Instruments.part3.rar

Drop Link(s)
Code:Copy to clipboard

https://drop.download/bb1gu65rrvei/Shakuhachi.2.0.0.Sonica.Instruments.part1.rar
https://drop.download/ot1h4fzx2063/Shakuhachi.2.0.0.Sonica.Instruments.part2.rar
https://drop.download/s0b6h9wdisuw/Shakuhachi.2.0.0.Sonica.Instruments.part3.rar

Sonica Instruments – Koto 17 v2.0.0 (Kontakt)

Format : Contact (6.6.1+)
Quality : Stereo 96 kHz 24 bit

Description : Koto is a Japanese plucked musical instrument, a long zither with movable fillies Koto 17 , the seventh installment in the Virtuoso Japanese Series , introduces music creators to the sound of the 17-string bass koto , an integral part of modern Japanese music.
Three years after the release of Koto 13 , Koto 17 introduces expanded functionality to take advantage of the library’s new tonal qualities.
Koto 17 can, of course, be used as a solo instrument. But it complements Koto 13 and Shakuhachi perfectly , making it an indispensable component in both classical and modern Japanese music. And when combined with other Virtuoso Japanese Series instruments, the Koto 17 completes this incredibly powerful ensemble. Peculiarities
Flawless reproduction of every nuance of a 17-string koto performance thanks to carefully thought-out recording techniques and innovative programming
mode Performance maps 17 strings to adjacent white keys for easy playing of glissandos and phrases
20 fundamental articulations selectable via key switch
Sustain pedal control for natural, continuous phrasing
Instrument Modeler reproduces sound variations corresponding to different plectrums and strings
Character selector allows you to select three plectrum thicknesses
selector Tone offers three string tones: Thick , Normal and Thin
Three banks of the most characteristic koto phrases, controlled via a key switch
Plucking Control allows you to control delicate, natural-sounding notes
String editor allows you to independently tune all 17 strings
In addition to 10 preset scales, User Scale mode allows you to create your own
Create your own mixes using multi-microphone samples and a dedicated mixer with individual controls for Direct , Overhead , Room and Stereo Mix channels
Compatible with NKS and Kontakt Player Code:Copy to clipboard

https://sonica.jp/instruments/images/KOTO17_v2.0_Manual_E.pdf

Guide (PDF) | Other Sonica Instruments libraries for Kontakt

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️ Sonica Instruments – Koto 17 v2.0.0 (Kontakt) (13.96 GB)
RapidGator Link(s)
Code:Copy to clipboard

https://rapidgator.net/file/dcb1a61f5e085cfc2327ed200726a63c/Koto.17.v2.0.0.Sonica.Instruments.part1.rar
https://rapidgator.net/file/c9fbe7149a1f2e52df02d6245bc21763/Koto.17.v2.0.0.Sonica.Instruments.part2.rar
https://rapidgator.net/file/b34c0724b85db2d4381f33e7c851f419/Koto.17.v2.0.0.Sonica.Instruments.part3.rar
https://rapidgator.net/file/f832ba4fb833380d1d3779f755f57a1f/Koto.17.v2.0.0.Sonica.Instruments.part4.rar
https://rapidgator.net/file/24ff096173d52e62931559738015d325/Koto.17.v2.0.0.Sonica.Instruments.part5.rar
https://rapidgator.net/file/f83be81416585a9f62fdf92abc6fbffb/Koto.17.v2.0.0.Sonica.Instruments.part6.rar
https://rapidgator.net/file/62211183b95f9240a2dc365dceb9349a/Koto.17.v2.0.0.Sonica.Instruments.part7.rar
https://rapidgator.net/file/4a78f3ed0feb632ec5074da4387b694a/Koto.17.v2.0.0.Sonica.Instruments.part8.rar

Drop Link(s)
Code:Copy to clipboard

https://drop.download/6t9wv2ckez3g/Koto.17.v2.0.0.Sonica.Instruments.part1.rar
https://drop.download/6adx7qhb76xu/Koto.17.v2.0.0.Sonica.Instruments.part2.rar
https://drop.download/2mjpk3u14k4q/Koto.17.v2.0.0.Sonica.Instruments.part3.rar
https://drop.download/zoxjmmji4x65/Koto.17.v2.0.0.Sonica.Instruments.part4.rar
https://drop.download/dh7guuj77hgy/Koto.17.v2.0.0.Sonica.Instruments.part5.rar
https://drop.download/gfpc95kb6fgo/Koto.17.v2.0.0.Sonica.Instruments.part6.rar
https://drop.download/4zhsrzyugrw8/Koto.17.v2.0.0.Sonica.Instruments.part7.rar
https://drop.download/wvo98r7w6cc2/Koto.17.v2.0.0.Sonica.Instruments.part8.rar