Soul Drums 1.0.10 [UVI]

Team DECiBEL | 25 Jan 2025 | 9.27GB

Modern Drums with Soul

  • Modern instrument design with authentic 1960s/1970s heritage
  • Deeply recorded and edited, immediate and inspiring sound
  • Highly versatile, comprehensive mix and tone controls

Meet Your New Drummer
Soul Drums was designed to give you an immediate and inspiring drum partner, the perfect drum session anytime you need it, with advanced controls and a vintage soul, able to adapt to the changing needs of modern production.

Modern Sound, Vintage Soul
An antithesis to the clean and clinical, Soul Drums echoes the greats of Motown with an old-meets-new foray, fusing the best of vintage and modern hardware and techniques with a forward-thinking design to create a drum instrument larger than the sum of its parts and unlike any other.

Ready To Play
Meticulously hand-crafted kit presets let you instantly change your sound from dry to fully-produced, and tailored to genre. Meanwhile over 1000 of built-in patterns get you going instantly, with everything from ’60s/’70s grooves and breakbeats to hip-hop, funk, jazz and much more.

Deeply Editable
Soul Drums sounds amazing right out of the box, but for those that want full control it goes deep, offering extensive per-drum controls, 14 mixable mics, a fully-customizable bleed matrix, per-element send effects, a bus effects rack, full multi-out, and integrated mapping presets for most electronic drums.

Thanks to R2R for the supply!

Whats new in this version
Official site does not provide any info about changes in this version.

System Requirements
Runs in UVI Workstation version 2.6.14+, and Falcon version 1.3.1+
Windows 10 to Windows 11 (64-bit)

โ‹†๐Ÿ•ท- – – – -โ˜ฝโ”€โ”€โ”€โ›ง โคโ–โคž โ›งโ”€โ”€โ”€โ˜พ – – – -๐Ÿ•ทโ‹†โ€‹

๏ธ Soul Drums 1.0.10 [UVI] (12 GB)

ClickNUpload Link(s)
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https://clicknupload.click/r42qkjebdlvs
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https://clicknupload.click/9fe7bmf2xxk0
https://clicknupload.click/6cgaaxeqq286
https://clicknupload.click/eugh0532r24f
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RapidGator Link(s)
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https://rapidgator.net/file/9840089c9348c90dd040687a802e648f/Soul.Drums.1.0.10.UVI.part1.rar
https://rapidgator.net/file/c2cdb40195332478373df0db3cebc162/Soul.Drums.1.0.10.UVI.part2.rar
https://rapidgator.net/file/2a34184229020f9d8f8e2b9a3f94fd2b/Soul.Drums.1.0.10.UVI.part3.rar
https://rapidgator.net/file/8c70e80d07953a29538309994f532d58/Soul.Drums.1.0.10.UVI.part4.rar
https://rapidgator.net/file/9a2ba3c4652e6274cf1a7c402173adb4/Soul.Drums.1.0.10.UVI.part5.rar
https://rapidgator.net/file/dccc4e1f232bf8d546670f01ab77a81d/Soul.Drums.1.0.10.UVI.part6.rar
https://rapidgator.net/file/1043b25b629e0cd5a4f44780b9a4bb9f/Soul.Drums.1.0.10.UVI.part7.rar

Sonoris Parallel Equalizer 1.2.1 – (28 MB)

Sonoris Parallel Equalizer 1.2.1โ€‹
File size: 3.7 MBโ€‹

The Sonoris Parallel Equalizer is a minimum phase parametric equalizer in VST, VST3, AU and AAX format for Windows and Mac. The plugin is suitable for mixing and especially mastering. It has fixed filter types on each band and band 2 to 6 are connected in parallel. The filters are build in a feedback/feedforward manner to provide cutting and boosting, like in analog graphic equalizers. Band 3 to 5 are constant-Q bells and 2 and 6 are shelves. Band 1 and 7 are low/high cuts and connected in series with the rest.

Parallel filter topology
The main feature is that this eq is a lot more subtle and needs more work to set up right because there is some interaction between the bands. In normal series connected eq’s the gains of two bands just add up but in a parallel eq it doesn’t.

The filters are parallel to each other as well as the unprocessed signal and this makes that if you have for example a low shelve boost and switch on a low freq bell boost too, it just doesn’t do much more. You can’t easily overdo things, but have to work harder to get it right. Also, the signal path is cleaner because the filters al work on the same input. The filters have correct gain up to Nyquist.

Processing modes
Besides working in stereo, the Parallel Equalizer can also process audio in M(id), S(ide), L or R mode.

Display
The plugin has a large graphical display that shows exactly what you get. The size of the plugin can be changed to your liking by dragging the lower right-hand corner.

Features
7 band parametric minimum phase equalizer with parallel connected bands
Feedforward and feedback circuit topology
Lowpass and highpass filters up to 24 dB/octave
Constant Q bells, shelving, low and high cut filters
Stereo, L, R or MS processing
No pre-warping effects, that is, correct response up to Nyquist
Soft Engage technology to prevent switching noise
Mousewheel support
A/B comparison
Large graphical display with dragable handles for maximum control
Spectrum analyser
Three zoom levels
Scalable user interface
High resolution level meter
Full automation possible
Settings can be saved
Double precision internal resolution and interfacing with compatible DAWs
Windows 32/64 bit VST, VST3 and AAX versions
Mac OS 64 bit Intel / Apple Silicon VST, VST3, AU and AAX versions
Installer and uninstaller
Easy Online License Activation
USB drive based license activation for offline computers

Whats New
Updates: official site does not provide any info about changes in this version

โ‹†๐Ÿ•ท- – – – -โ˜ฝโ”€โ”€โ”€โ›ง โคโ–โคž โ›งโ”€โ”€โ”€โ˜พ – – – -๐Ÿ•ทโ‹†โ€‹

๏ธ Sonoris Parallel Equalizer 1.2.1 – (28 MB)

RapidGator Link(s)
Code:Copy to clipboard

https://rapidgator.net/file/1aaf7bd70df195ac9dd551cd178f1c5b/Sonoris.Parallel.Equalizer.1.2.1.rar

Freedl.ink Link(s)
Code:Copy to clipboard

https://frdl.io/9az6edje11sj/Sonoris.Parallel.Equalizer.1.2.1.rar

Sonoris Multiband Compressor 1.2.1 – (28 MB)

Sonoris Multiband Compressor 1.2.1โ€‹
File size: 4.3 MBโ€‹

The Sonoris Multiband Compressor is a versatile three band compressor in VST, VST3, AU and AAX format for Windows and Mac. It is an ultra clean processor, suitable for delicate material.

Features
Extremely clean three band mastering compressor
Selectable phase correct Linkwitz-Riley or linear phase crossover filters
Ratio ranging from 1:1 to infinity for compression and limiting
Attack ranging from instantaneously (0 usec.) to 1 sec
Selectable auto-attack
Release ranging from 1 msec to 5 sec
Selectable auto-release ranging from 0.5 sec. to 5 sec. program dependent
Threshold ranging from -60 dBfs to 0 dBfs
Very flexible knee setting from hard to soft in 100 steps
A second knee that enables the compressor to adjust the ratio back to 1:1 above the threshold, also adjustable in 100 steps from hard to soft knee
Feedback and feedforward detector types
Variable Link: sidechain linking is adjustable from fully linked to fully split
Highest Link: sidechains linked with the highest value of the left and right channel
Compression on stereo, L, R, Mid or Side channels
Band solo modes
Monitoring selectable between stereo, L, R, Mid or Side channels
Make up gain ranging from -18 dB to +18 dB
2x, 4x, 8x or auto upsampling for even less artifacts
A/B comparison
Scalable user interface
Gain transfer plot
High resolution gain reduction meters
High resolution level meters with resettable peak indicator
Full automation possible
Mousewheel support
Settings can be saved and loaded
Double precision internal resolution and interfacing with compatible DAWs

Whats New
Updates: official site does not provide any info about changes in this version

โ‹†๐Ÿ•ท- – – – -โ˜ฝโ”€โ”€โ”€โ›ง โคโ–โคž โ›งโ”€โ”€โ”€โ˜พ – – – -๐Ÿ•ทโ‹†โ€‹

๏ธ Sonoris Multiband Compressor 1.2.1 – (28 MB)

RapidGator Link(s)
Code:Copy to clipboard

https://rapidgator.net/file/b5a0298f1418544a0b0f33662b209af2/Sonoris.Multiband.Compressor.1.2.1.rar

Freedl.ink Link(s)
Code:Copy to clipboard

https://frdl.io/3yh3er3vl1zu/Sonoris.Multiband.Compressor.1.2.1.rar

Sonoris Mastering Equalizer 1.2.1 – (28 MB)

Sonoris Mastering Equalizer 1.2.1โ€‹
File size: 3.7 MBโ€‹

The Sonoris Mastering Equalizer is a parametric equalizer in VST, VST3, AU and AAX format for Windows and Mac. It has selectable linear phase or minimum phase operation per band. The plugin is suitable for mixing and especially mastering and features 7 bands, including lowpass, highpass, peaking and shelving filters.

Features
7 band parametric equalizer
Selectable linear phase or minimum phase operation per band
Lowpass and highpass filters up to 48 dB/octave
Peaking and shelving filters
Stereo, L, R or MS processing and monitoring
No pre-warping effects, that is, correct response up to Nyquist
2x, 4x, 8x or auto upsampling for an even more accurate response
Soft Engage technology to prevent switching noise
A/B comparison
Large graphical display
Spectrum analyser
Three zoom levels
Scalable user interface
High resolution level meter
Full automation possible
Mousewheel support
Settings can be saved and loaded
Double precision internal resolution and interfacing with compatible DAWs

Whats New
Updates: official site does not provide any info about changes in this version

โ‹†๐Ÿ•ท- – – – -โ˜ฝโ”€โ”€โ”€โ›ง โคโ–โคž โ›งโ”€โ”€โ”€โ˜พ – – – -๐Ÿ•ทโ‹†โ€‹

๏ธ Sonoris Mastering Equalizer 1.2.1 – (28 MB)

RapidGator Link(s)
Code:Copy to clipboard

https://rapidgator.net/file/fc52fd6472873cf773a9b328d0063fdf/Sonoris.Mastering.Equalizer.1.2.1.rar

Freedl.ink Link(s)
Code:Copy to clipboard

https://frdl.io/ip0sg2fuh8h1/Sonoris.Mastering.Equalizer.1.2.1.rar

Sonoris Mastering Compressor 1.2.1 – (28 MB)

Sonoris Mastering Compressor 1.2.1โ€‹
File size: 4.1 MBโ€‹

The Sonoris Mastering Compressor is a wideband mastering compressor in VST, VST3, AU, and AAX format for Windows and Mac. It is an ultra clean compressor suitable for delicate material.

Features
Ultra clean wideband mastering compressor
Ratio ranging from 1:1 to infinity for compression and limiting
Attack ranging from 0 msec to 1 sec
Selectable auto-attack
Release ranging from 1 msec to 5 sec
Selectable auto-release ranging from 0.5 sec. to 5 sec. program dependent
Threshold ranging from -60 dBfs to 0 dBfs
Very flexible knee setting from hard to soft in 100 steps
A second knee that enables the compressor to adjust the ratio back to 1:1 above the threshold, also adjustable in 100 steps from hard to soft knee
Feedback and feedforward detector types
Selectable high-pass, band-pass and low-pass sidechain filters
Variable: sidechain linking is adjustable from fully linked to fully split
Highest Link: sidechains linked with the highest value of the left and right channel
MS Split: sidechain signals split with the mid and side channels
Make up gain ranging from -18 dB to +18 dB
2x, 4x, 8x or auto upsampling for even less artifacts
Selectable gentle even harmonic distortion on the output
Parallel compression fader
A/B comparison
Large graphical display with dragable handles for maximum control
Scalable user interface
Gain transfer plot
High resolution gain reduction meter
High resolution level meter with resettable peak indicator
Full automation possible
Mousewheel support
Settings can be saved and loaded

Whats New
Updates: official site does not provide any info about changes in this version

โ‹†๐Ÿ•ท- – – – -โ˜ฝโ”€โ”€โ”€โ›ง โคโ–โคž โ›งโ”€โ”€โ”€โ˜พ – – – -๐Ÿ•ทโ‹†โ€‹

๏ธ Sonoris Mastering Compressor 1.2.1 – (28 MB)

RapidGator Link(s)
Code:Copy to clipboard

https://rapidgator.net/file/9c18fd68ca7b170d4f4c848b77f34260/Sonoris.Mastering.Compressor.1.2.1.rar

Freedl.ink Link(s)
Code:Copy to clipboard

https://frdl.io/vii2l2dya192/Sonoris.Mastering.Compressor.1.2.1.rar

Sonixinema – Sirens

Format : kontact (5.8.0+)
Quality : stereo 48 kHz 24 bits
Description : modern solo vocals Sirens is a modern collection of dynamic and percussion vocal textures performed by virtuoso soprano Grace Davidson .
Grace Davidson is the world -famous British soprano, working in a variety of genres. Outside the world of classical and baroque music, it is known for its work on more than 200 soundtracks for films, as well as cooperation with such legendary composers as Max Richter and Eric Whitazr . Peculiarities
โ€ข 115 original NKI and Snapshots
โ€ข Microphones: Close, Far, Mix

โ‹†๐Ÿ•ท- – – – -โ˜ฝโ”€โ”€โ”€โ›ง โคโ–โคž โ›งโ”€โ”€โ”€โ˜พ – – – -๐Ÿ•ทโ‹†โ€‹

๏ธ Sonixinema – Sirens (1.77 GB)

UsersDrive Link(s)
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https://usersdrive.com/cq92c2w5ipel.html

RapidGator Link(s)
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https://rapidgator.net/file/67772e61dbf92b997d313851d8d59dd3/Sirens.Sonixinema.rar

SoniX Audio TONEFLX 1.0.0 Win MacOS

DESCRIPTION: TONEFLX is an all-in-one analog-style FX plugin with 8 pedals to turn flat digital sounds into warm, textured, and alive tones.

8 Effects
Saturation, Resampler, Tape, Chorus, Tremolo, Reverse, Delay, Reverb.

Analog Feel, Not Digital Flatness
Turn clean sounds into warm, textured tones with subtle imperfections and real hardware character.

Build Complex FX in Seconds
Create full pedal chains instantly or generate new ideas with one click – no tweaking required.

Endless Sound Design Possibilities
From subtle enhancement to extreme transformation, shape, flip, and evolve your sound without limits.

Generate Instant FX Ideas
Pick a vibe, hit Generate, and instantly unlock unique FX presets – crafted by real producers, curated by humans, never AI.

Analog Pedalboard Inside your DAW
Arrange, tweak, and fine-tune your FX like a real pedalboard. Drag, reorder, and shape your sound exactly how you want.

Controlled Chaos
Push your sound beyond perfection. Add unpredictable movement, variation, and raw character that breaks static, lifeless loops.

Analog Movement
Add subtle pitch and timing shifts that mimic real analog gear. Bring depth, warmth, and natural motion to your sound.

600+ Presets
TONEFLX comes standard with 600+ presets created and designed by industry producers who’ve worked with artists like Drake, Future, Lil Baby, Travis Scott, Bryson Tiller, and more.

Whats New
Updates: official site does not provide any info about changes in this version

โ‹†๐Ÿ•ท- – – – -โ˜ฝโ”€โ”€โ”€โ›ง โคโ–โคž โ›งโ”€โ”€โ”€โ˜พ – – – -๐Ÿ•ทโ‹†โ€‹

SoniX Audio TONEFLX 1.0.0 Win MacOS (617 MB)

RapidGator
Code:Copy to clipboard

https://rapidgator.net/file/3e485322dce3156db44ace9793c91b35/SoniX.Audio.TONEFLX.1.0.0.Win.MacOS.rar

Freedl.ink
Code:Copy to clipboard

https://frdl.io/103w5dhf1s26/SoniX.Audio.TONEFLX.1.0.0.Win.MacOS.rar

SonicWorld Plugins Telsie S V1.1.1 – (30 MB)

SonicWorld Plugins Telsie S V1.1.1โ€‹
File size: 29.3 MBโ€‹

The SonicWorld Telsie S is a 3-band equalizer plug-in based on the famous Siemens W295b discrete class A equalizer from the 1970s.

The W295b is known for its wonderfully airy highs and voluminous bass. Telsie S delivers this sound, along with some very useful upgrades compared to its analog counterpart!

Designed and built for the ARD (Association of German Public Broadcasters) in the 70ยดs, the Siemens mixing consoles reflected what was technically feasible at the time and were at the cutting edge of technology.
These mixing consoles were the direct successor for the tube-based V72/V76 mixing consoles.

Highly sought-after modules like the V276 Microphone Preamp and the W295 Series Equalizer were used in these consoles.

Siemens offered 3 different Equalizer versions: The W295, the W295a and the W295b which has the most elaborated design of the 3 models.

All these models share a low-shelf filter and high-shelf filter, while only the W295b features a mid-band with a presence/absence filter.

The W295b is still today the secret weapon of many engineers as it provides these VERY nice airy highs ..

At SonicWorld we know this analog marvel very well, as we have been servicing and racking many of these units in the last 20 years.

Interior of vintage Siemens W 295B Equalizer showing electronic components and control knobs.
Now you can have that sound without the crackle of old switches, dried-out capacitors, hard-to find transistors, etc.

The features of the Siemens W295b and Telsie S
Similar to the original hardware device, the Telsie S is a three-band equalizer with shelf-filters on the high and low bands and a peak filter on the mid band. The low-shelf filter has its ยฑ15 dB point at 40 Hz, while the high-shelf filter has its ยฑ15 dB point at 15 kHz.

The mid-band is a presence/absence filter with Peak characteristics and 6 selectable center frequencies
0.7 kHz, 1 kHz, 1.5 kHz, 2.3 kHz, 3.5 kHz, and 5.6 kHz, and a maximum boost and cut of 8 dB each.
This peak filter has a proportional Q factor. This means that the width of the bell narrows the more dB you boost or cut.

The additional benefits of the Telsie S plug-in
Low Band Filter with additional frequencies
As an alternative to the original device’s low-shelf filter at 40 Hz, there are additional peak filter frequencies with center
frequencies at 40, 60, 100, 160 and 220 Hz.

These peak filters have a proportional Q factor, meaning the width of the bell narrows the more dB you boost or cut.
These additional peak filter frequencies give you significantly more sonic possibilities than the original shelf filter at 40 Hz.

High Band Filter with additional frequencies and AIR switch
The high band features the original device’s super nice- sounding high-shelf filter at 15 kHz. As an alternative Telsie S also offers two additional peak filters with center frequencies at 12 kHz and 14 kHz, with a maximum boost or cut of 15 dB in 3 dB steps.

The AIR switch significantly extends the high band’s frequency response. You can experiment with running your session at a higher sample rate to make this effect even more noticeable

Harmonics function
Each of the three equalizer bands has a harmonics function with two parameters: Drive and Out.
The Drive control allows you to adjust the amount of harmonics added to enrich the signal.
You can use the Out control to compensate for the increase in volume caused by the Drive section.
The two parameters are linked by default. You can disable this by using the Link switch.

Be careful when you do this as extreme boosts or cuts are possible.
Extreme boosts could not only harm your ears, but also your equipment.
We do not take responsibility for any potentional damage.

Low Cut/ High Pass and High Cut/Low Pass Filter
The Low Cut (High Pass) and the High Cut (Low Pass) filters are used to clean up the frequency range of your signal .
For example low rumble on an acoustic guitar or vocal track can be easily reduced with the Low Cut, or you can cut the high-frequency range for nasty frequencies.
Or with using both filters to give room for other tracks.
The cutoff frequency is freely selectable, both filters have a gentle slope of -12 dB per octave.

X-OverS Low Band/Mid Band and Mid Band/High Band
On the analog W295b, the high and low band curves are extremely broad. This means that a boost or cut in the 40 Hz shelf band has a sonic impact up to approximately 2 kHz. With the 15 kHz shelf band, a boost or cut has a sonic impact starting at around 200 Hz.
This characteristic never sounded appealing to us, as it often results in unwanted processed frequency ranges, even if you only want to boost or cut at much higher or lower frequencies.

This is where the two X-Over frequency controls come into play.
These allow you to set the respective frequency at which the Telsie S’s three equalizer bands merge.
The factory default crossover frequencies for the two crossover frequency controls are 500 Hz and 7 kHz.
This lets you give the presence band more space, even if you don’t want to boost or cut anything in this frequency range.

A close-up of a vintage control slider labeled "X-OVER Low-Mid" with a white knob and red indicator line, set at the middle position.
A linear alphanumeric control panel with a white slider and a red vertical line and the text ‘X-OVER Mid-High’ below.
This is very helpful for significantly influencing the equalizer curves and finding the right sound for different EQ requirements. You can boost for example with the low band a good amount at 220Hz or lower to give vocals a good basis and you can cut off unwanted higher frequencies at 400 Hz if you lower the X-over from 500 Hz down to 400 Hz.

The same goes for the high band. You can massively boost the high frequencies and avoid boosting unwanted frequencies at 7k if you set the X-Over Mid-High to a higher value than 7 kHz.

Try our EQ presets to find out how useful this feature is!

Master Gain and Parameter Bar
The Master Gain is used to compensate for level differences caused by equalization or harmonics.
Clicking the Master Gain control resets it to 0 dB.

The Parameter Bar displays the set values of the three harmonics bands LBH (Low Band Harmonics), MBH (Mid Band Harmonics), HBH (High Band Harmonics), the Low- and High-Cut filters, the chosen frequencies of the two X-overs and the Master Gain.

Whats New
Updates: official site does not provide any info about changes in this version

โ‹†๐Ÿ•ท- – – – -โ˜ฝโ”€โ”€โ”€โ›ง โคโ–โคž โ›งโ”€โ”€โ”€โ˜พ – – – -๐Ÿ•ทโ‹†โ€‹

๏ธ SonicWorld Plugins Telsie S V1.1.1 – (30 MB)

RapidGator Link(s)
Code:Copy to clipboard

https://rapidgator.net/file/1a50cec22e9251095d3da0dac83ebfc9/SonicWorld.Plugins.Telsie.S.V1.1.1.rar

Freedl.ink Link(s)
Code:Copy to clipboard

https://frdl.io/5s64qzefihd0/SonicWorld.Plugins.Telsie.S.V1.1.1.rar

SonicWorld Plugins Telsie S 1.1.3

QUICK INFO: File size: 66.9 MB

DESCRIPTION: The SonicWorld Telsie S is a 3-band equalizer plug-in based on the famous Siemens W295b discrete class A equalizer from the 1970s.

The W295b is known for its wonderfully airy highs and voluminous bass. Telsie S delivers this sound, along with some very useful upgrades compared to its analog counterpart!

Designed and built for the ARD (Association of German Public Broadcasters) in the 70ยดs, the Siemens mixing consoles reflected what was technically feasible at the time and were at the cutting edge of technology.
These mixing consoles were the direct successor for the tube-based V72/V76 mixing consoles.

Highly sought-after modules like the V276 Microphone Preamp and the W295 Series Equalizer were used in these consoles.

Siemens offered 3 different Equalizer versions: The W295, the W295a and the W295b which has the most elaborated design of the 3 models.

All these models share a low-shelf filter and high-shelf filter, while only the W295b features a mid-band with a presence/absence filter.

The W295b is still today the secret weapon of many engineers as it provides these VERY nice airy highs ..

At SonicWorld we know this analog marvel very well, as we have been servicing and racking many of these units in the last 20 years.

Interior of vintage Siemens W 295B Equalizer showing electronic components and control knobs.
Now you can have that sound without the crackle of old switches, dried-out capacitors, hard-to find transistors, etc.

The features of the Siemens W295b and Telsie S
Similar to the original hardware device, the Telsie S is a three-band equalizer with shelf-filters on the high and low bands and a peak filter on the mid band. The low-shelf filter has its ยฑ15 dB point at 40 Hz, while the high-shelf filter has its ยฑ15 dB point at 15 kHz.

The mid-band is a presence/absence filter with Peak characteristics and 6 selectable center frequencies
0.7 kHz, 1 kHz, 1.5 kHz, 2.3 kHz, 3.5 kHz, and 5.6 kHz, and a maximum boost and cut of 8 dB each.
This peak filter has a proportional Q factor. This means that the width of the bell narrows the more dB you boost or cut.

The additional benefits of the Telsie S plug-in
Low Band Filter with additional frequencies
As an alternative to the original device’s low-shelf filter at 40 Hz, there are additional peak filter frequencies with center
frequencies at 40, 60, 100, 160 and 220 Hz.

These peak filters have a proportional Q factor, meaning the width of the bell narrows the more dB you boost or cut.
These additional peak filter frequencies give you significantly more sonic possibilities than the original shelf filter at 40 Hz.

High Band Filter with additional frequencies and AIR switch
The high band features the original device’s super nice- sounding high-shelf filter at 15 kHz. As an alternative Telsie S also offers two additional peak filters with center frequencies at 12 kHz and 14 kHz, with a maximum boost or cut of 15 dB in 3 dB steps.

The AIR switch significantly extends the high band’s frequency response. You can experiment with running your session at a higher sample rate to make this effect even more noticeable

Harmonics function
Each of the three equalizer bands has a harmonics function with two parameters: Drive and Out.
The Drive control allows you to adjust the amount of harmonics added to enrich the signal.
You can use the Out control to compensate for the increase in volume caused by the Drive section.
The two parameters are linked by default. You can disable this by using the Link switch.

Be careful when you do this as extreme boosts or cuts are possible.
Extreme boosts could not only harm your ears, but also your equipment.
We do not take responsibility for any potentional damage.

Low Cut/ High Pass and High Cut/Low Pass Filter
The Low Cut (High Pass) and the High Cut (Low Pass) filters are used to clean up the frequency range of your signal .
For example low rumble on an acoustic guitar or vocal track can be easily reduced with the Low Cut, or you can cut the high-frequency range for nasty frequencies.
Or with using both filters to give room for other tracks.
The cutoff frequency is freely selectable, both filters have a gentle slope of -12 dB per octave.

X-OverS Low Band/Mid Band and Mid Band/High Band
On the analog W295b, the high and low band curves are extremely broad. This means that a boost or cut in the 40 Hz shelf band has a sonic impact up to approximately 2 kHz. With the 15 kHz shelf band, a boost or cut has a sonic impact starting at around 200 Hz.
This characteristic never sounded appealing to us, as it often results in unwanted processed frequency ranges, even if you only want to boost or cut at much higher or lower frequencies.

This is where the two X-Over frequency controls come into play.
These allow you to set the respective frequency at which the Telsie S’s three equalizer bands merge.
The factory default crossover frequencies for the two crossover frequency controls are 500 Hz and 7 kHz.
This lets you give the presence band more space, even if you don’t want to boost or cut anything in this frequency range.

A close-up of a vintage control slider labeled "X-OVER Low-Mid" with a white knob and red indicator line, set at the middle position.
A linear alphanumeric control panel with a white slider and a red vertical line and the text ‘X-OVER Mid-High’ below.
This is very helpful for significantly influencing the equalizer curves and finding the right sound for different EQ requirements. You can boost for example with the low band a good amount at 220Hz or lower to give vocals a good basis and you can cut off unwanted higher frequencies at 400 Hz if you lower the X-over from 500 Hz down to 400 Hz.

The same goes for the high band. You can massively boost the high frequencies and avoid boosting unwanted frequencies at 7k if you set the X-Over Mid-High to a higher value than 7 kHz.

Try our EQ presets to find out how useful this feature is!

Master Gain and Parameter Bar
The Master Gain is used to compensate for level differences caused by equalization or harmonics.
Clicking the Master Gain control resets it to 0 dB.

The Parameter Bar displays the set values of the three harmonics bands LBH (Low Band Harmonics), MBH (Mid Band Harmonics), HBH (High Band Harmonics), the Low- and High-Cut filters, the chosen frequencies of the two X-overs and the Master Gain.

Whats New
Updates: official site does not provide any info about changes in this version

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SonicWorld Plugins Telsie S 1.1.3 (67 MB)

RapidGator
Code:Copy to clipboard

https://rapidgator.net/file/ae02c4108bcef3d6995673063d63354c/SonicWorld.Plugins.Telsie.S.1.1.3.rar

Freedl.ink
Code:Copy to clipboard

https://frdl.io/k7g36m6sj029/SonicWorld.Plugins.Telsie.S.1.1.3.rar

Soniccouture – Flowstate

Format : Contact (7.10.2+), Contact Player
Quality : stereo/mono 96/48/44.1 kHz 24/16 bits
Description: The mechanism of harmonic morphin Transform. Dilige. Convert.
Flowstate will instantly turn any audiolip into a flexible, changing musical form. Drag the audio files to create morphing textures, moving between 5 different harmonic conditions. From drum loops to pure noise – everything can be transformed into a lively and rich sound landscape. Created for your audio
FlowState contains 100 stops + samples. But in fact, it was created to drag. Take any audio -emergency you have a field record, Breikbit, a fragment of the track – and see what FlowState can turn it. Peculiarities
Harmonic morphine mechanism
D justified audio
100 presets
Support NKS

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๏ธ Soniccouture – Flowstate (587.09 MB)

Drop Link(s)
Code:Copy to clipboard

https://drop.download/59hmmrhr1bzp/Flowstate.Soniccouture.rar

RapidGator Link(s)
Code:Copy to clipboard

https://rapidgator.net/file/72e3a51394ebdd02d7a83d9344a6ea77/Flowstate.Soniccouture.rar