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️ Light Leak & Blur Motion Photo Effects Collection For Photoshop – (247 MB)

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Transfer is an audio positioner. Other doppler plugins have confusing controls. Other spatialization plugins are unintuitive. Transfer handles both of these problems and packages them together, as it should be.

Taking advantage of ambisonic audio, Transfer handles the processes associated with both encoding and decoding of the sound internally, without having to mess around with a bunch of variables. Transfer keeps it dead simple; audio in, spatialized signal out.

Transfer also features two different control modes; a full spherical positioner, as well as an X/Y pad representing the left/right/front/back space around the listener.

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️ Lese Transfer 1.4.7 (17 MB) [17.64 MB]
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Strum is an intuitive multiband delay. Designed to make spectral delays easier to use, Strum splits your signal evenly and cleanly into a bunch of different bands, and then allows you to control the delay time & feedback of each band.

Strum can work either in "free" or "sync" mode, where in "sync" mode each individual band’s delay time is synchronized to the tempo & time signature of your DAW, allowing for rhythmically-aware strumming.

Additionally, Strum provides a modulation panel for a bit more control of the delay times, allowing you to switch between "flutter" and "random" modes.

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️ Lese Strum 1.2.9 (21 MB) [21.13 MB]
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Slice is a Looper for happy accidents. Making use of multiple control systems, Slice controls multiple granular "loopers" simultaneously, over an audio buffer that can be frozen & resized in real time.

Slice is designed to be controlled "loosely", similar to Frahm, where the controls influence multiple sound processors at once, but Slice also offers control schemes to control the loopers more precisely.

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️ Lese Slice 1.1.1 (18 MB) [18.4 MB]
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Recurse is for unique delays. Without a better explanation; Recurse is a recursive processing audio plugin, where effects can be applied to incoming audio over and over again as time goes on.

At the heart of Recurse is a reorderable multi effect system, where two "Loop" effects determine at which point the incoming signal is sent into an internal delay buffer, and at which point the internal buffer is mixed back into the audio signal.

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️ Lese Recurse 1.2.10 (19 MB) [19.16 MB]
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After 4 years of research & experimentation, the end result is the Impulse Engine, a scalable, multi-algorithm acoustic simulation system that’s capable of any sort of reverb-related job with minimal work; We use it in real-time in our plugins like Eigen & Transfer, and now we are offering a piece of standalone software called. Impulse!

Impulse uses very large (or small) amounts of rays that get cast + processed in different ways to simulate sound propagation. It uses multiple types of ray-casting algorithms to do this, including ray tracing, ray inference, and beam tracing.

Ultimately, it uses these algorithms to generate acoustic impulse responses that you can use anywhere you want!

What is Impulse?
Impulse is
An Impulse Response Renderer
Every other reverb system just uses simple networks of delays to simulate reverberation in different spaces, some also use impulse responses (IRs) recorded in the real-world to simulate this. Impulse generates IRs out of digital spaces for you to use in convolution reverbs using technologies like ray tracing & acoustic waveguides.
Any space you can imagine, you can now hear.

Standalone Software
We realized very quickly that Impulse would be too much to work with in the constraints of what different plugin formats could offer. You can use it’s computed impulse responses anywhere, though, and our plugin Eigen already has an Impulse-powered rendering system built-in.

Impulse is not
Hard to use
We knew that Impulse would have to function a lot differently than most audio software (and is used more like a 3D editor than anything), which is why we spent a lot of time perfecting the UI and UX so you can jump in easier. Learn more

Inaccurate
Impulse’s ray tracing propagation system is mathematically equal to the propagation of sound in the real world. Later on, we plan on adding additional simulation algorithms for the edge cases where the

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️ Lese Impulse 1.2.1 (17 MB) [17.65 MB]
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Hikari is an ocean-themed random reverb. Emulating uncommon digital reverbs from the 1990s and early 2000s, Hikari aims to create something unconventional.

Adding in Hikari’s navigation & anomaly system, where moving to different positions makes the reverb behave differently according to the topology of the ground below, Hikari is made for sound exploration.

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️ Lese Hikari 1.0.1 (14 MB) [14.63 MB]
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Glow is for fragmented expression. What started as a simple granular effect blossomed to a fully fledged granulation engine.

Filled with what you would expect from a granular effect, Glow takes it further, with feedback, externally controllable retriggering, and, through the use of a clever optimization technique, mass granulation, allowing for up to 150 grains to be processed at once.

Glow features three grain engines, three slots for effects post-granulation, four highly customizable modulators, and three dimensions of macro control. This allows you to create highly complex patches, perfect for anything from subtle glitchy background effects, to blurred atmospheres with enough detail to take center stage in your productions.

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️ Lese Glow 1.3.2 (14 MB) [14.84 MB]
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Frahm is a multi-spatializer, using force fields. Built on top of a particle-based force field system, Frahm takes the movement of particles that it simulates and treats them as sound sources in three dimensional space. Like Transfer, but controlled indirectly, and with a bunch of sources.

Frahm allows you to select from ten different force-field algorithms, adjust their parameters and even mix two of them together for your desired result.

When multiple instances of Frahm are layered on top of each-other in your DAW, you can create highly intricate soundscapes, all in real time.

Frahm is able to operate it’s spatial engine in multiple different modes depending on your intended application. Binaural for headphone-optimized listening, and stereo for conventional speaker setups.

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️ Lese Frahm 1.2.1 (22 MB) [22.32 MB]
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