The – Brunschwig, Hieronymus [1527]
General:
Name: The – Brunschwig, Hieronymus [1527]
Format: pdf
Size: 158.79 MB
Book:
Title: The Vertuose Boke of Distyllacyon of the Waters of all Maner of Herbes : with the fygures of the styllatoryes /fyrst made and compyled by the thyrte yeres study and labour of the moste conynge and famous master of phisyke Master Jherom Bruynswyke ; and now newly translate out of Duyche into Englysshe, not only to the synguler helpe and profyte of the surgyens, phisycyens and apothecaryes, but also of all maner of people parfytely and in dewe tyme and ordre to lerne to dystyll all maner of herbes to the profit, cure, & remedy of all maner dysieases and infirmytees apparant and nat apparant, and ye shall understande that the waters be better than the herbes as Avicenna testefyeth in his fourth canon saynge that all maner medicynes used with theyr substance febleth and maketh aged and weke
Author: Brunschwig, Hieronymus
Language: angielski
Year: 2025
Subjects: Art, History, Medical, Nonfiction
Publisher: Princeton University Press
ISBN: 9780691243481
Total pages: 275
Description:
A spectacularly illustrated history of an enigmatic surgical diagram
The Wound Man-a medical diagram depicting a figure fantastically pierced by weapons and ravaged by injuries and diseases-was reproduced widely across the medieval and early modern globe. In this panoramic book, Jack Hartnell charts the emergence and endurance of this striking image, used as a visual guide to the treatment of many ailments. Taking readers on a remarkable journey from medieval Europe to eighteenth-century Japan, Hartnell explains the historic popularity of this gruesome image and why the Wound Man continues to intrigue us today.
Drawing on a wealth of original research, Hartnell traces the many lives of the Wound Man, from its origins in late medieval Bohemia to its vivid reincarnations in hundreds of manuscripts and printed books over more than three hundred years. Transporting readers beyond the specifics of bodily injury, Hartnell demonstrates how the Wound Man’s body was at once an encyclopedic repository of surgical knowledge, a fantastic literary and religious muse, a catalyst for shifting media landscapes, and a cross-cultural artistic feat that reached diverse audiences around the world. The Wound Man, we discover, held profound importance not only for healers and patients but also for scribes, students, nuns, monks, printmakers, and poets.
Marvelously illustrated, Wound Man sheds light on the entwined histories of art and medicine, showing how premodern medical diagrams represent a unique site of contact between sickness, cure, painting, and print.
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