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Frahm is a multi-spatializer, using force fields. Built on top of a particle-based force field system, Frahm takes the movement of particles that it simulates and treats them as sound sources in three dimensional space. Like Transfer, but controlled indirectly, and with a bunch of sources.

Frahm allows you to select from ten different force-field algorithms, adjust their parameters and even mix two of them together for your desired result.

When multiple instances of Frahm are layered on top of each-other in your DAW, you can create highly intricate soundscapes, all in real time.

Frahm is able to operate it’s spatial engine in multiple different modes depending on your intended application. Binaural for headphone-optimized listening, and stereo for conventional speaker setups.

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️ Lese Frahm 1.2.1 (22 MB) [22.32 MB]
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Eigen is a reflection processing multitool. Created through leveraging Lese’s Impulse Engine, Eigen (a͡ɪ-ɡˈɛn) is able to perform three distinct functions, split into three different modes: Play, Render, and Analyze.

These three modes are able to perform a selection of different "space-aware" processes; Play does accurate early reflection processing in real-time, Render computes high-quality reverb impulse responses for you to use in convolution reverbs (or in Eigen itself, if you want), and Analyse checks your virtual space to see how sound resonates against it.

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️ Lese Eigen 1.3.2 (25 MB) [25.36 MB]
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A complete line of Lese audio plug-ins.

The Lese All Plugins Bundle includes the following plugins
❖ Eigen: A space simulator plugin that can create various spatial effects such as reverb, delay and chorus.
❖ Glow: A synth plugin that can be used to create a variety of sounds, from pads and drones to textures and noises.
❖ Surge: A wavetable synthesizer plugin that offers a wide range of sound shaping options.
❖ Spacescape: A space processing plugin that can be used to create a sense of depth and space in your mixes.
❖ Echospace: A delay plugin that offers various delay modes including ping pong, feedback and reverse.
❖ Noisegate: A noise gate plugin that can be used to remove unwanted noise from your audio.

What’s New
official site does not provide any info about changes in this version.

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https://lese.io/plugins/

️ Lese Complete Bundle 2025.04 (25.55 MB)

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AudioZ | 17 August 2025 | 242 MB
Seeking to recreate the sound of a 1980 Marshall Super Bass with a Lenz #36 Mod. The mod is trying to recreate the legendary S.I.R. #36 Amp that was modded by Frank Levi and used by Slash on Guns n Roses Appetite For Destruction. Perfect for any Slash fan with the ToneX software or pedals!

8x Amp&Cab #36, 3x #34 captures with a 1971 1960B with pre-Rola Pulsonic T1221 G12m-25 Greenbacks

3x #36, 3x #34 Amp only captures

️ LENZ Amplification JMP #34/36 Mod [243.88 KB]
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QUICK INFO: File size: 103.6 MB

DESCRIPTION: Sylenth1 is a virtual analog VSTi synthesizer that takes the definitions of quality and performance to a higher level. Until now only very few software synthesizers have been able to stand up to the sound quality standards of hardware synths. Sylenth1 is one that does.

Sylenth1 is not just another synth. It was built from a producer’s point of view. It was built to produce superior quality sound and music. It was built to perform. A lot of research has been invested in order to achieve unheard warmth and clarity. The graphical interface ensures the highest level of usability so you can fully unleash your creativity.

Oscillators
At its core Sylenth1 houses 4 alias-free unison oscillators, which generate analog shaped waveforms. Each oscillator is capable of producing 8 unison voices in full stereo, adding up to a total of 32 voices per note. With its 16 notes of polyphony this means you can play up to 512 voices simultaneously! The oscillators perform extremely well in both the very low (down to 0.01Hz and below!) and very high (all the way up to half the samplerate) frequency regions without losing their sharpness, liveliness or character. This makes them well suited for all kinds of sounds, from the deepest basses imaginable to the highest crystal clear bells.

Filters
On top of that there are 2 state of the art, pure analog sounding filter sections. Each of these consists of 4 filter stages with nonlinear saturation incorporated, in order to emulate the warmth and drive of a real analog filter. The resonance control can be turned up to a level way beyond self-oscillation and combined with the drive control this makes it possible to let the filters SCREAM! Where a lot of digital filters sound like they’re made out of cheap plastic, these filters sound rock-solid, warm and raw.

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LennarDigital Sylenth1 V3.0.75 (104 MB)

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A set-and-forget plugin that is designed for any songwriter, producer and engineer, wanting to achieve a great vocal sound quickly. It comes with 4 unique algorithms, each optimized to work for any type of vocal: Compression is meant to take out the peaks in a vocal performance and balance out the vocal, achieving a consistent level without unwanted artifacts.

️ Leapwing Audio UltraVox V1.2.5 (37.01 MB)
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An intuitive and great-sounding vocal processor for recording, production, and mixing that incorporates 4 highly optimized algorithms: Compression, Gate, Harmonics and Air.

Your new go-to vocal processor
A set-and-forget plugin that is designed for any songwriter, producer and engineer, wanting to achieve a great vocal sound quickly. It comes with 4 unique algorithms, each optimized to work for any type of vocal: Compression is meant to take out the peaks in a vocal performance and balance out the vocal, achieving a consistent level without unwanted artifacts.

The gentle and very musical Gate has a dual purpose: one is to reduce room noise and the other is to reduce breathes and mouth sounds that are brought up by compression. Harmonics gives a beautiful coloration to almost any vocal, and Air allows you to add crispiness to your vocal without introducing harshness.

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️ Leapwing Audio UltraVox 2.0.0 – (14 MB)
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Enhance the soundstage of your stereo mix, and even bring mono recordings to life

Widen your soundstage
StageOne 2 gives you unparalleled control over aspects of your stereo field, either to widen stereo audio, add perceived depth, or even give mono signals a stereo image so they fit better in the mix. You can adjust width, depth, and mono spread without phase or mono-compatibility problems; all thanks to a unique algorithm that produces clean results every time.

Between a wide range of applications and an intuitive interface to get your sound faster, StageOne 2 offers better results than traditional techniques. This attention to detail lets you bring depth to and compatibility between disparate audio sources, in a way you can trust.

Widen stereo audio
Widen how listeners perceive off-center content and give your stereo audio a richer panorama of sound. You can rely on this unique algorithm in a wider range of applications than traditional solutions as it leaves the phantom center untouched.

Add the perception of depth
Get a natural sense of ambience and draw attention to or from parts of your mix. Directionally optimized reflections can psycho-acoustically adjust the position of audio within a sound field until you feel everything is in place

️ Leapwing Audio StageOne 2 V2.0.5 – (7 MB)
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A unique multi-band subharmonics generator and shaper that gives punch to your low-end.

RootOne lets you add and shape 3 bands of subharmonic content for the perfect tonal balance. Whether you need to make one part of your mix meet the others, or if you need more low-end overall, you can take the second-guessing out of your workflow when bass matters most. This unique plugin completes your low-end with clean, phase-aligned subharmonics, and you’ll never have to worry about frequency interference or detachment.

The analysis-synthesis algorithm is effective across a far wider range of sources than traditional solutions, which means more applications, more trust, and more bass. The perfect kick, bass guitar, or bass synth pluck are only a few clicks away.

Unique clean algorithm
Add artefact free, phase-aligned bass subharmonics thanks to intelligent analysis

Multi-band sub generation
Trust the unique clean algorithm to give you full control of the low-end

What’s New
official site does not provide any info about changes in this version.

️ Leapwing Audio RootOne V1.10.6 – (6 MB)
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A spectral approach to limiting and clipping. Limiting, but not limited
Audio limiting is the art of managing and controlling sound energy. Often the goal is to increase loudness by changing level dynamics in the most transparent way possible. Historically, this was done by using an electric circuit that follows the envelope of an audio signal and steers a variable gain to reduce peaks and boost low levels. These methods were later emulated in the digital domain and many variations and flavors have been created since.

LimitOne is different. Our goal was not to eliminate all other clippers or limiters out there, as they all add their own color, but to develop a novel approach and do things in a different way, allowing you to get results that weren’t previously possible.

We found inspiration in two-stage limiter methods and multi-band compressor designs, in how clipping adds color and punch, and we also took note of the problems and artifacts that some processing introduces. Then we imagined what an easy-to-use tool would look like if we would not limit ourselves to existing methods. This led to the idea of a hybrid algorithm that combines the advantages of digital signal processing in the frequency domain and time domain.

LimitOne is different.
Our goal was not to eliminate all other clippers or limiters out there, as they all add their own color, but to develop a novel approach and do things in a different way, allowing you to get results that weren’t previously possible.

Spectral and Time-based Processing
Unique hybrid algorithm design that provides adaptive dynamics control in both frequency and time domain

What’s New
official site does not provide any info about changes in this version.

️ Leapwing Audio LimitOne V1.0.1 – (6 MB)
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